TheaterReview JD Caudill’s staging leans into the challenging close quarters of the environment, with Jonathan Berg-Einhorn’s minimalist but evocative set making us feel like we are in fact surrounded by a shiny kelp forest. KokandyProds | ✍️ kerryreid
had its pre-Broadway run here in 2016. I missed that, but I can’t imagine it was any more delightful than what Kokandy Productions has concocted in the basement at the Chopin.
Frankie Leo Bennett’s SpongeBob is the optimistic-to-a-fault center of the story, but all the residents of Bikini Bottom get their moment to shine, including Isabel Cecilia García’s lovably dopey Patrick Star, Quinn Rigg’s loose-limbed and ever-eager-for-the-spotlight Squidward, and Parker Guidry’s Sheldon J. Plankton, Bikini Bottom’s answer to Boris Badenov.
It’s interesting to note the nods in the storyline to xenophobia and anti-science, both of which affect Sarah Patin’s Sandy Cheeks, the squirrel seismologist whose warnings about the imminent blow-up of Mount Humongous, which forms the spine of the plot, are met with vicious anti-land-mammal rhetoric. But this isn’t a show straining for a message. Instead, it’s a mostly family-friendly sojourn under the sea with familiar characters and some kicky tunes.
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