One of Disney's latest streaming movies had a shelf life of about 7 weeks
its own removal recently). Particularly with companies like Warner Bros. and Disney in charge of their own catalogs, streaming appeared to be an easy, accessible way to preserve entertainment history while presenting new content.
Instead, new content is disappearing faster than audiences can discover and appreciate it. And since there areto us at least,has been granted new life on free, ad-supported services like Roku or Tubi.
The streaming business is precarious—perhaps more precarious than we know, given that the companies in charge tend to be opaque about their numbers. (N.B.: The opacity is one of the many issues
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