The worst thing a Salvador Dalí could be is 'normal' and Daliland is almost surreally bland. agracru's review:
, the fabrication is not only unnecessary, but unwelcome, because Dalí is the kind of subject who doesn’t require the aid of a constructed audience stand-in. In fact, the very invention dilutes the effect of his inscrutable, exhausting genius. You might rather have a guide to introduce you to Dalí, but you will find, byDalíland
is plotless for the most part, following James through Dalí’s New York City ecosystem at first as he prepares for his next exhibition by not preparing at all; Dalí parties and carouses instead, while James makes acquaintances with his inner circle, like his manager, John Peter “Captain” Moore , his muses, like Amanda Lear and “Ginesta” , if indeed that is her real name, and Gala , Dalí’s wife, played and written as a severe, forbidding grand dame distrustful of interlopers like...
Maybe there’s some truth to the way Harron positions her supporting characters as pseudo-parasitic. It’s a trope, but an earned one, that people of stratospheric fame and achievement invariably end up with their share of hangers-on, people siphoning off portions of their wealth for their own benefit.
is completely inexplicable. Briney doesn’t have much to do, and he doesn’t have a lot of tools in his belt to do the “not much” with–one or two rotating facial expressions that never quite convey what they should, and an unfailingly cavalier body language as if he’s not impressed to be audience and companion to a god.
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