All eyes are on Brendan Fraser.
While TIFF isn't entirely about the Oscar race, it does offer a good primer of what to expect in the months to come. After about a week of movie viewing, we now have a good sense of what's in the running for Best Picture, which actors will be battling it out, and even what might win Best Documentary.The big Oscar story out of this year’s TIFF was the debut of Spielberg’s, his glorious memoir of a movie about his early infatuation with cinema and his parents’ divorce.
, which came into TIFF riding the buzz from the Telluride Film Festival. Set in early 1980s Britain, the film stars Olivia Colman as a reserved, lonely employee at a seaside cinema, who falls in love with her new coworker, a younger Black man, played by Micheal Ward. Colman is great—when is she not?—and Roger Deakins' cinematography is stunning, but Mendes is out of his depth when it comes to tackling racism and mental health.
It’s hard to deny the appeal of the Brendan Fraser narrative that started with his emotional reaction to the standing ovation he received at the premiere for his new moviephysical deterioration he endured to a sexual assault —and now he has a role that can show the breadth of his talent. The lovefest continued at TIFF, where he received a Tribute Award, but the movie is divisive, and will probably continue to be the subject of discourse as more people see it. Darren Aronofsky's adaptation of a play by Samuel D. Hunter features Fraser as Charlie, an English teacher on the verge of eating himself to death while mourning his deceased lover.
, Farrell plays a simple man on a tiny Irish island in 1923 whose world is thrown into turmoil when his best friend decides he doesn't want to hang out anymore. It sounds simple enough, but Farrell is incredible in a challenging role that could easily fall into parody., which won Anthony Hopkins an Oscar in 2021.
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