What the Hideout means to me now - Chicago Reader

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What the Hideout means to me now - Chicago Reader
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Reader music critic imleor on his relationship to a music venue in light of the allegations made against its ownership by a former employee 👇

. I find the venue’s response inadequate, but I encourage you to read both posts. I’ve developed some insight on the matter myself, though I’ve had no good way to share it—from April till August, when Deville decided that he’d rather not tell his story through the media, I attempted to report on his work for the Hideout.

. “Ace Hotel helped fill a gap in the limited number of nightlife options for Black Millennials,” Hill wrote. Deville did the same for the Hideout. I wanted to capture that with my story too, and I thought I could do it quickly. But my reporting took months, and as always I had trouble squeezing in the work around other deadlines. When Deville asked me to stop, I obliged. It’s his story, and I appreciate that he entrusted me with it in any capacity.

Since Deville went public, several local acts have expressed solidarity with him by canceling their shows at the Hideout, including Mia Joy, Tobacco City, and Morinda. Block Club has published aEarlier this week, formercolumnist Ben Joravsky moved their monthly series, First Tuesdays, out of the Hideout—their November 1 election edition will be at the Nighthawk in Albany Park.

On the subject of “sides,” though: Such a framing would be appropriate if we were talking about whether Mykele’s firing was justified. That question could indeed be addressed by the collection and evaluation of evidence—that is, by the reporting that Leor admits he did not finish or share. Blame could be apportioned among the parties involved.

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