Asteroid City provides a skeleton key that unlocks not only this particular movie but Wes Anderson’s entire body of work.
has “little or no emotional content,” and that its “savant blankness” is simply “the expression of style.” Can you guess,The “inherent exclusivity” of Anderson’s style, writes Time’s Stephanie Zacharek, “can make you feel like
,” and his characters do seem fond of their fraternal affiliations, whether they belong to the Zissou Society, the Khaki Scouts, or the Society of the Crossed Keys—not to mention the dozen-plus extracurricular organizations headed by’s Max Fischer. But where Wes Anderson is concerned, it feels like there are clubs on both sides, or more accurately factions, dug in and ready for battle.
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