Three Minutes: A Lengthening review: a gripping documentary | Digital Trends

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Three Minutes: A Lengthening review: a gripping documentary | Digital Trends
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Built around the only footage of a Polish town destroyed by the Nazis, ThreeMinutesALengthening is at once a memorial, detective story, and gripping essay.

It’s mostly faces that we see in Bianca Stigter’s remarkable documentary essay film Three Minutes: A Lengthening. Faces young and old, masculine and feminine, bearded and bare. Smiling faces, curious faces, the faces of the past. They belong to the men, women, and children of Nasielsk, a small Polish town about 50 kilometers north of Warsaw. Into the streets these townsfolk pour, to meet the gaze of a camera filming their storefronts and synagogue.

Stigter opens the movie with the footage in full — that three-minute tour of Nasielsk, shot in black-and-white and color, marked by varying degrees of decay, presented without commentary. It turns out that these images will be the only ones we see in Three Minutes: A Lengthening.

After Glenn Kurtz successfully solved that mystery, he began the task of trying to put names to the dozens of faces that passed before his grandfather’s lens. One sequence here involves identifying the local grocer by enhancing, desaturating, and deciphering a few blurry frames containing the sign hanging over her establishment. Elsewhere, he relies on the imperfect memories of the mere seven survivors he tracked down, including one elderly man who agreed to be interviewed for the movie.

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