“She was a pioneering woman in electronic music, a pioneering improviser, a pioneering accordion player, a pioneering feminist, a pioneering gay woman coming out when that was daring.”
The mythos of Pauline Oliveros begins, in many tellings, underground. In the fall of 1988, the Houston-born composer and accordionist crawled with her friend, composer Stuart Dempster, into a 2-million-gallon cistern below a decommissioned U.S. Army base in Washington state. What was so special about this particular cistern? It had a 45-second reverb time, which meant that it took nearly a minute for sound to fade away.
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