The Museum Director Who Stayed Behind to Defend Ukrainian Literature

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The Museum Director Who Stayed Behind to Defend Ukrainian Literature
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As the director of Kharviv’s Literary Museum, it’s Tetyana Pylypchuk’s job to think historically and narratively into the future. What will Kharkiv be like after the war?

repeatedly claimed that Ukraine as an independent country didn’t exist, that there was no such thing as a separate Ukrainian language, or a separate Ukrainian people. He specifically denounced the early Bolshevik policies of “nativization.” The people of the Kharkiv Literary Museum were familiar with this narrative. A quote stencilled on the wall of the museum as part of an exhibit on the Executed Renaissance served as a reminder.

She did not imagine that the Ukrainian military would be able to stop the Russian forces from entering Kharkiv. But she also didn’t imagine that Russian soldiers would, rape, pillage, and kill civilians, as they did in Bucha, Borodyanka, and the town of Izyum, some seventy miles from Kharkiv.

For all that Tetyana knew about history, there was something she had never understood about war: people live with it. Her ideas of war had come from art—from photographs of the devastated city of Warsaw, which appeared deserted in the still images; from books that described battle and carnage. In real life, people got used to war quickly. Stores reopened. People returned to work, or went shopping, or went on dates, even as Russian rockets continued to fall.

Two weeks after the Skovoroda museum was destroyed, the Kharkiv Literary Museum went back to work. On Museum Night, when more than a hundred European museums hold public events, the museum in Kharkiv held one too, using a popular art center as its venue, because it is located in a basement. The topic for Museum Night was dismantling monuments to Alexander Pushkin.

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