‘The Last Of Us’: Showrunner Craig Mazin Joins Craft Collaborators For Deep Dive On Show’s Look And Sound, Hopes Series Will “Be Around For A While” Beyond Season 2 – NAB

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‘The Last Of Us’: Showrunner Craig Mazin Joins Craft Collaborators For Deep Dive On Show’s Look And Sound, Hopes Series Will “Be Around For A While” Beyond Season 2 – NAB
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Craig Mazin, co-creator, executive producer, writer and director of HBO smash The Last of Us, says there remains “quite a bit of story to tell” in the video game adaptation. “Our …

George R.R. Martin Didn't Want 'Game Of Thrones' Spinoff Title For 'A Knight Of The Seven Kingdoms: The Hedge Knight' To Sound Like 'Beavis & Butthead'

The season had more than 3,000 f/x shots, with motion-capture work by Weta Digital. Even so, VFX supervisor Alex Wang said the objective of the crew was not to rely too much on fully digital creation, but rather think of enhancement. “The first question that we all ask is not what visual effects can do, but rather, what can we get in the frame and do practically? The conversation starts there.

Characters on the show who are infected by the virus “are not monsters,” Benavente said. “We went a little monster-y at the beginning and then we pulled back. These are humans who are infected and diseased.”

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