Quentin Tarantino is one of the most celebrated directors of his generation, but his impact as a screenwriter who perfected punchy, pop-culture obsessed monologues cannot be overstated. To deliver …
Quentin Tarantino is one of the most celebrated directors of his generation, but his impact as a screenwriter who perfected punchy, pop-culture obsessed monologues cannot be overstated. To deliver his memorable dialogue, Tarantino has developed countless characters with unique personalities and quirks, often remixing the big screen heroes of his youth.
Nobody writes lines better for Samuel L. Jackson than Tarantino. The director’s regular collaborator leads “The Hateful Eight,” playing a Union soldier turned ruthless bounty hunter. Correction, one of the most ruthless bounty hunters to exist. He runs lines like, “Anybody opens their mouth, gonna get a bullet. Anybody moves a little weird, little sudden, gonna get a bullet. Not a warning. Not a question. A bullet.
After starring in “Inglourious Basterds” as the Nazi-hating soldier Aldo Raine, Brad Pitt outdid himself as Cliff Booth, the macho, aging stuntman in “Once Upon a Time in Hollywood” 10 years later. Winning the first acting Oscar of his storied career for the role, Pitt seemed to merge himself with the chilled-out, washed-up stuntman with a mysterious past.
Margot Robbie is the platonic ideal of Sharon Tate, the ’60s starlet married to Roman Polanski, in Tarantino’s most recent film, “Once Upon a Time in Hollywood.” Everyone can breathe a sigh of relief that Tate survives the bloodbath in the director’s alternate history retelling of the Manson family murders, but the scene where Tate visits the Bruin Theatre in Westwood Village theater where her movie “The Wrecking Crew” is playing is just as pivotal.
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