One result of two-year excavation of Yolanda M. López's basement is a new exhibit that illustrates her process.
The paintings, mixed-media pieces, prints and photographs are accompanied by notes, sketches and memorabilia that offer viewers a sense of López’s evolution and process.
In one viewing case, the program for her 1978 master of arts show is open to a sketch of the young López, dressed in track gear, and running toward the viewer, determined and powerful. In her wake, she leaves behind a coquettish young woman wearing a Carmen Miranda-like hat of fruit, juxtaposed with an image of the Virgin of Guadalupe.
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