Review: Christian Bale, John David Washington and Margot Robbie headline a film that’s equal parts fact and fiction
Russell’s fantastical take on the episode, in which he mixes fact and fiction with extravagant abandon, can’t be called a success. It’s too scattershot, too much in its own manic, mannered head to qualify as a coherent, much less compelling narrative. But in its own bless-this-mess way, “Amsterdam” pays appropriate homage to the eras it invokes, both past and present. It’s so wild, so dreamlike, so utterly preposterous that it could only be a little bit true.
The shaggy-dog tale Burt and Harold find themselves in will also plunge them back to the Great War, when they met a captivating nurse named Valerie while recuperating in a Belgian hospital. “Amsterdam” takes its title not from the New York of old, but from the European city where Burt, Harold and Valerie found personal liberation in the postwar era of exploration and artistic ferment.
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