“There is not a single acute play left in the repertoires of Moscow theaters. The loyal state theaters salute the power and once again explore the Russian soul instead of social issues,' Vit Kogut told The Daily Beast.
abroad and when he returned he could not recognize his city—the territory of art that was his world had been destroyed. The bombardment by the state sensors, including GRAD, a group of conservative and nationalist politicians named after a multiple rocket launcher, had compiled blacklists of artists who had spoken against the massacres inThe number of banned theater directors, filmmakers, playwrights and musicians had been growing by the day.
Sofia Kapkova, the founder of the Documentary Film Center said that Sept. 2 had been a painful turning point. The center was the place where thousands of film lovers could see the best international feature and documentary films. Intellectuals, artists, hipsters loved it—the center screened film five times a day, five days a week, and invited international directors for long and thoughtful discussions with their audiences.
“As a child of the World War II, I could not imagine even in my worst nightmare that Russian bombs would target Ukrainian cities, villages, force Kyiv residence into bomb shelters, make them flee from their own country,” Lev Dodin, an acclaimed Russian theater director of the Maly Drama Theatre said.
“Beginning from the first day of the war, I posted on social media for Russia to stop the horror. I do not delete my posts,” she added.GRAD is a far-right group. They are building a nationalist culture, where the core is the Orthodox church and imperialism.The Kremlin fired back at artists by shutting down Russia’s best contemporary theatre, Gogol Center, on July 1, then the Bolshoi cancelled ballets and operas by its directors without giving any reason, and finally, on Sept.
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