'Prey' Gives the 'Predator' Franchise Its Long-Awaited Masterpiece

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'Prey' Gives the 'Predator' Franchise Its Long-Awaited Masterpiece
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'Prey,' the latest addition to the Predatorverse, is something close to a B-movie masterpiece. Here's our review.

And it’s where, one day, a visitor comes crashing out of the sky. No one sees him, not at first — you don’t see the thing until it wants you to see him, and by that point, it’s too late. Naru knows he’s there, however. She’s noticed the large footprints in the mud, which suggest this intruder is bigger than a grizzly. She’s observed the oddly fluorescent green blood splattered on foliage and tree bark. She’s felt him silently stalking her hunting party, waiting patiently to strike.

Part of that has to do with Midthunder, a young actor with Sioux ancestry, silent-cinema-starlet eyes and a physical presence that can project vulnerability or steely self-assurance. If you’ve seen her work onthe surreal FX TV show that took the X-Men universe into uncomfortable, uncharted territory, then you know she can ground fantasy while still adhering to an anything-goes genre’s playbook. A team player, but someone who can handle an action scene or three on her own if need be.

It helps that Trachtenberg knows how to film man-vs-intergalactic-serial-killer stand-offs as well, without devolving into the usual quick-cut chaos mash-ups that now often passes for set pieces, and that he can frame a shot and pace a dread-inducing sequence for maximum impact. He’s done franchise duty before — see:run amuck from a claustrophobic thriller’s perspective — but this feels like a step up.

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