‘Prey’ Cinematographer Details How Fire and Moonlight Created the ‘Predator’ Prequel’s Epic Visuals

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‘Prey’ Cinematographer Details How Fire and Moonlight Created the ‘Predator’ Prequel’s Epic Visuals
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“Prey” director Dan Trachtenberg wanted his “Predator” spinoff, which is set in 1719, to be shot in a naturalistic way, so cinematographer Jeff Cutter made use of available light whenever possible …

” director Dan Trachtenberg wanted his “Predator” spinoff, which is set in 1719, to be shot in a naturalistic way, so cinematographer Jeff Cutter made use of available light whenever possible — especially from fire and the moon.

A few scenes were entirely lit by fire torches, with no supplemental lighting. For those moments, the DP would advise Midthunder and other actors how to hold the torch without disrupting their performances. A still from the set of 20th Century Studios’ PREY, exclusively on Hulu. Photo by David Bukach. © 2023 20th Century Studios. All Rights Reserved.The final showdown between Naru and the alien juxtaposed scope and scale. “We wanted specific shots where we’re with her and we see the emotion in these epic stand-off shots,” Cutter says.

With the action and combat sequences, Cutter knew there were times the camera would need to alternate between moving quickly and slow motion.

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