Interviewed en route to Australia, U.K.-based photographer Robert Fairer shared with WWD his involvement in the “Alexander McQueen: Mind, Mythos, Muse” exhibition at the NGV in Melbourne.
: Designer of Dreams” show in Tokyo. Fairer also hopes to have his work featured in the “India in Fashion” exhibition that Hamish Bowles is involved with at the Nita Mukesh Ambani Cultural Center that is opening in Mumbai next year.shows tended to be “fast and faultless,” Fairer recalled. “He might occasionally ask other people for an opinion. But [generally] he would reach and grab the jewelry and it would be on the girl before you knew it.
The Princess of Wales wore a $100 rented dress to attend the Earthshot Prize awards with Prince William earlier this month in Boston.Emphasizing the need to wake up to “the wastefulness and ghastliness” of overconsumption, Vanessa Fairer noted the investment shopping that was prevalent in the ’50s, when women would buy a core assortment of a hat, a bag, a good pair of shoes, a suit, a coat and a few other quality pieces that were meant to last a lifetime.
Fairer started shooting the global designer collections in the mid-’90s through assignments from Elle and the American edition of Harper’s Bazaar. U.S. Vogue later cued him up as the magazine’s exclusive backstage photographer for more than a decade. The book spans some of the Chanel collections from 1994 through 2007.
Karl Lagerfeld was known to choose every last detail. Here, looks from the spring 2001 Chanel ready-to-wear show.Beyond a means of connection, the Fairers spoke of how Instagram informs and can even be a tutorial for the next generation of creatives. “It’s knowledge, knowledge, knowledge,” Vanessa Fairer said. “It’s quite an instructional Instagram feed also,” Robert Fairer said.
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