'This movie lives and dies on the actors’ performances,' the Korean director told Jezebel of her excellent semi-autobiographical debut film.
had struck me as key to its appeal. I hesitated voicing that to the director for fear of offending her or even misrepresenting my affection for her film—but her own comments over Zoom felt like they could’ve been read from my notebook: “It’s a movie about ordinary people doing something that is extraordinary but mundane.”concerns Nora , whose family emigrated from Korea to Canada when she was 12.
“It live and dies on the actors’ faces, ‘cause we don’t have an action sequence,” she added with a laugh. The second factor that went into casting Lee is what Song calls the “soul match of the character.” She explained, “She has to be this ambitious, strong, amazing woman who also has a side of her that is like a little girl.”Just as I perked up when Song used the word “mundane,” so did she when I used “clarity” to describe her storytelling.
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