'Passages isn’t about sex. It’s about being an artist, and the way that gives someone license to become selfish and horrible and assume, rightly or wrongly, that the world revolves around you.' Read the Rolling Stone review ⬇️
But Freiburg is also bad news, an angle which Rogowski isn’t afraid to lean equally hard on, and he’s the reason thatis not just the bleakest of romantic comedies but a true portrait of an artist as a self-centered narcissistic prick. Celebrating at the wrap party with his husband, Martin , Tomas asks him to dance. His weary spouse demurs. Agathe , however, is happy to hit the club floor with him.
An indie-film veteran who’s no stranger to turning the spotlight on dysfunctional relationships and/or showcasing raw, explicit sex scenes , Sachs is determined to make you follow this gorgeous parasite until the very end. You don’t need to like him. But you’re going to stick with him through every whining plea, every casually cruel remark and every bad-impulse decision that ends in what appears to be great sex.
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