Netflix’s Resident Evil series might not be a viral hit for Capcom
writer Andrew Dabb is wily and full of alarming surprises that speak to its potential to become a breakout hit. But much like the T-virus, the new
show is as inconsistent as it is imaginative with an apocalyptic story that blends different pieces of’s past together as it creates a new future for some of the franchise’s most iconic characters.tells the story of a slightly different yet very familiar version of Albert Wesker , one of Umbrella’s top executives who’s been overseeing the development of its latest pharmaceutical breakthrough — a drug dubbed “Joy.
feels most on-brand when it’s following adult Jade Wesker on her full on-apocalyptic journey to better understand the T-virus after the pathogen gets loose, the show’s at its most interesting in 2022 when it’s focusing on younger versions of Jade and her sister Billie .
story about what it’s like to be a part of Umbrella before shit hits the fan or how the company always manages to skirt governmental oversight and accountability could be legitimately interesting — especially given the shape of our real world. But none of’s potentially bright spots are ever capitalized on enough to outweigh the generally uninspired way the show works them into its first season.
As brilliant and suspicious of their father as the Wesker girls are, it isn’t until well into the show that either of them thinks to wonder aloud whether there might have been anResident EvilIn doing so, though, the show inadvertently highlights how uninterested it is in saying much of anything that could be interpreted as commentary about the COVID-19 pandemic. Ato have a deeper message about what it means to survive in a world overtaken by a dangerous virus.
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