Producers from ‘Interview with the Vampire’, 'Perry Mason' and ‘The Patient’ weigh in on the scenes that best represent their Emmy contenders.
tells the true story of the Emergency Rescue Committee, operating in Marseilles during World War II to help refugees escape Nazi-occupied France. This shot from episode three centers on actress Gillian Jacobs as Mary Jayne Gold, who in this scene is sneaking into a prison camp for British prisoners of war. “British intelligence needs photographs of the POWs who are in the French prison camps in order to create passports for them,” series showrunner and co-creator Anna Winger explains.
Winger adds that Gold uses her gender as a secret weapon. “I love the idea of how women in World War II had a special kind of agency — they could use the things that were seen as feminine skills to their advantage as spies,” she says. This scene was filmed on location in Aix-en-Provence, France, at the former internment site Camp des Milles, which is now a memorial museum. “It’s where they gathered people before they took them to Auschwitz on trains,” explains Winger. In addition to the emotional gravity of shooting on location, Winger notes that “Silke Fischer, our production designer, did amazing work in taking what is now a museum and turning it back in time.
Holed up in a secluded, empty cabin — which Watts notes was a real location rather than a set — Chase is a mystery to the audience for most of the drama series’ first episode. The director says he meticulously choreographed Bridges’ movements throughout the house and used the camera throughout the pilot as “a passive witness” that follows Chase throughout his quiet and uneventful life — that is, until an assassin shows up at his door.
In this shot, Chase calls the police to report a deceased intruder — the would-be assassin who tried to kill him — once again putting on the front of a disoriented, elderly man. “Bridges was so great, and one of my favorite things [to watch] is an actor playing a character who’s acting,” says Watts of this moment. “You see his two different guises.” — Tyler Coates
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