'Ultimately the first goal was simply to allow the audience to swim in Bowie’s aura and energy' MoonageDaydream is a vibrant, fully immersive and wildly non-traditional documentary about the late groundbreaking recording artist.
at the Cannes Film Festival to a lengthy standing ovation for its layered, impressionistic approach to Bowie’s life and art, with stunning sound and visuals. It was praised as a monumental portrait of the chameleon alternately remembered as Ziggy Stardust, Major Tom, the Thin White Duke, and the Blackstar.
Morgen set out to create something less biographical and more emotional, closer to the experience of a Pink Floyd Laserium show, with psychedelic splashes of color layered with the vintage footage. In other words, “no information, no facts, no biography, just like a theme park ride on David Bowie,” he explains. “If one can extract a deeper meaning from it, that’s fantastic. But ultimately the first goal was simply to allow the audience to swim in Bowie’s aura and energy.”In his office on L.A.
Bowie’s career is typically summed up by his 1971 song “Changes,” which observers use to describe the various guises and personas he carried through the years, beginning with Ziggy Stardust. “David would mock that,” Morgen says. “He would say, ‘I know everyone thinks my through line is ‘Ch-ch-ch-changes,’ but it’s really ‘T-t-t-transient.’”
14 times in the first two weeks of release. “It was for the sound. I probably had my eyes closed half the time,” he explains. “The music was amazing. It is so much fun to be in a movie theater, eating popcorn, rocking out.” “I feel awful because I was just part of the chorus,” says Morgen, who now considers later albums likeamong his favorites. “I was there when the world dismissed him. And how crazy is it to look back at that time and go, ‘Wait, there was a moment where we all were done with David Bowie?’ It was so wrong.
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