Seems Like Making Across the Spider-Verse Was Another Nightmare for Animators
sequel was a nightmare—one so bad that reportedly over 100 animators quit due to the working conditions during production. These included working 11 hours a day, seven hours a week, for more than a year, and for a salary that was only appropriate when it included overtime pay for the grueling labor. The time-crunch is attributed to, among other things, a short production time while producer Phil Lord slowly approved layouts, leaving animators without any work to do for three months or more.
“The changes in the writing would go through storyboarding. Then it gets to layout, then animation, then final layout, which is adjusting cameras and placements of things in the environment. Then there’s cloth and hair effects, which have to repeatedly be redone anytime there’s an animation change. The effects department also passes over the characters with ink lines and does all the crazy stuff like explosions, smoke, and water.
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