This week on “RuPaul’s Drag Race All Stars,” it was time to stage the hallowed “Rusical.” Basing it on Joan Crawford’s legacy was a stroke of genius. It was the best musical yet.
where Tom Cruise and Alec Baldwin were given wigs as horrible as their personalities. Thanks to Shankman, this Rusical has some of the finest, most considered choreography that the main stage ofEach of the queens is assigned to tackle a different era of Crawford’s career, with a few contestants taking on the parodic Faye Dunaway version of Crawford from 1981’s. All of the versions of Crawford are undeniably strong, with no queen making any noticeable flubs this week.
Kandy’s performance is one of the most difficult to execute, since she was tasked with embodying a fictional version of Crawford fromthat has culturally surpassed the real woman. Kandy had to be three people at once: Crawford, Dunaway, and herself—and she wore all three of those big personalities on a blue satin sleeve.
A few numbers later, LaLa Ri nearly upstaged Kandy with an exceedingly goofy number, that combined fictional parental abuse with vogueing—which is exactly how cockamamie every Rusical should sound on paper!Mildred Pierce -era synopsizing lyrics was pure genius. Just when I thought it couldn’t get any better, the section was punctuated with a hilarious slapping sequence, where LaLa recreated Mildred’s. The way the slaps work as both a vogue beat and a film reference is inspired, and performing them was the first time LaLa—who has been consistently safe in the competition thus far—became a surefire contender for the crown.was a robust display of everyone’s talent.
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