How a Salvadorian children’s game anchors artist Guadalupe Maravilla’s new show at the Brooklyn Museum:
At age eight, artist Guadalupe Maravilla was among the first group of children to flee from El Salvador when it was divided by a violent civil war. He arrived, undocumented, in the United States, both alone and not—separated from his family but surrounded by strangers bonded by a shared journey.
In the game, participants scribble pairs of numbers on a piece of paper while their opponents connect the pairs with a single stroke, making sure that no lines touch in the process. Emerging eventually is what Maravilla calls a “labyrinth, a topographical map of sorts.” The show’s title posits an altogether different metaphor. “Tierra Blanca Joven,” as it is called, refers to a volcanic eruption from the fifth century C.E.—among the largest in recorded history—that blanketed a several-thousand-mile stretch of present-day El Salvador with ash and debris, uprooting entire communities of Maya people in the process.
The idea is echoed, too, in Maravilla’s choice to integrate nearly two dozen ancient Maya figurines, vessels, and other sculptures from the museum’s collection into the show.What are these objects doing in Brooklyn?” he recalled thinking upon seeing the Maya artifacts in the institution’s storage rooms. “They were somehow taken from El Salvador in Central America and brought, through multiple hands, to the Brooklyn Museum.
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