Though they have experimented outside of their usual framework, girlpool's new album 'Forgiveness' still sounds patently Girlpool, with all their expressive lyricism and indie-pop charm
have been around, the project has taken friends Avery Tucker and Harmony Tividad from their teenage years into adulthood, and through the far corners of genre and sound. The spare, folk-inspired tracks on the duo’s 2015 debut albummerged with dreamy pop melodies and indie-rock riffs as they continued to mature and experiment. Four years later, the introspective writing on the melancholy collectionshowcased the duo’s sensitive, insightful views of growing up and the world around them.
In fact, work on the album kicked off shortly after the release of its 2019 predecessor, a process that began with assessing the material they had already mustered and organizing ideas into detailed lists; they moved into the demo phase later that year. The need for that organization stems from the duo’s unique collaborative practice. As they did on.
Rothman was able to clearly see the sweeping vision they had for their sound, and it can be heard everywhere from the mechanical undertones of “Nothing Gives Me Pleasure” to the echoing, reverent harmonies and electronics of “Light Up Later.” While working with a producer that closely was new for the pair, knowing that Rothman was on their wavelength allowed the artists to adapt quickly and comfortably. “I think that that's what was so sacred about this experience for us,” Tucker notes.
The slower pace also fostered changes in perspective that coincided with the duo’s growth into adults . Tucker places a high value on the precision of his word choice, which allows him to address his thoughts and feelings more directly. On the album opener “Nothing Gives Me Pleasure,” lines like “bite my tongue until it bleeds” and “push my head down when I least explain,” sung by Tividad in the first minute of the song, even veer into violence.
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