Different people who need people have finally arrived at “Funny Girl” on Broadway. The problem-plagued revival of Jule Styne and Isobel Lennart’s 1964 musical welcomed its new Fanny Brice, Lea Mich…
Different people who need people have finally arrived at “Funny Girl” on Broadway.
In an attempt to give the change-up some breathing room, the production is formally inviting critics to review the show again in three weeks. So, The Post bought its own ticket Tuesday for the best seat in the house — Rear Mezzanine Row Q. Michele’s best number, though, is “The Music That Makes Me Dance” — a reflective tune sung after her home life has crumbled as her fame has skyrocketed. Michele hasn’t been on Broadway since she left “Spring Awakening” in 2009, and her self-reflection and vulnerability from the intervening years is obvious. As Wendla in “Awakening,” she was an inexperienced kid — onstage and off. Her Fanny, on the other hand, is hardened, hurt and defensive from the get-go.
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