To mark the 20th anniversary of 'Finding Nemo,' released May 30, 2003, we spoke with its design team about how they crafted their marvelous ocean
. “If we’d made it today, we would be using a volume renderer for everything. We wouldn’t be trying to fake caustic light beams. You’d be getting them generated from the water surface,” says Calahan. “For better or for worse, you can get much more realistic effects. In, those effects look a lot more realistic, because it’s actually doing what it should be doing. So to know how it would be different today, I’d watch that movie.
For Santos, the limitations of 2003 technology was a blessing in disguise. “There’s a practice among us as animators where there’s a restraint that we want to have in our animation,” she says. “One thing that computers brought is that we can move everything and anything all the time, and you don’t really want to do that. Sometimes the hardest thing when we’re animating isThe push and pull between what one is capable of doing and what they should do is key to Santos’ philosophy as an animator.
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