20 years later, and Pixar still hasn't matched the sheer traumatic terror of Finding Nemo's opening moments. agracru looks back at the movie, and how its opening still works as modern disaster horror:
Disney is the place where dreams come true, and where childhood trauma takes root. Bambi’s mother, gunned down by an unseen hunter in; the Walrus chowing down on terrified baby oysters in; every second of Chernabog’s screen time in
In a Disney and Pixar context, there’s nothing unique about this sequence, where a voracious barracuda knocks Marlin unconscious, then devours Coral , and their batch of incubating children off-screen. The studio’s proficiency with orchestrating tragedy in the middle of wonder has been built over decades; a fish eating other fish is par for their long-established course.
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