Family Friction Charms in Joonam's Meandering Multi-Generation Quest for Iranian Identity

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Family Friction Charms in Joonam's Meandering Multi-Generation Quest for Iranian Identity
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Joonam finds the charm inherent in a friction-filled family reunion, but its search for identity in the Iranian diaspora is left wanting. JacobOller's Sundance2023 review:

Last year, I read an interview with a French filmmaker who started something called the Grandmas Project. The idea was that, to preserve our different cultural heritages and record the myriad lived experiences of our elders, people all over the world should shoot short films about their grandmothers. Think less masterful versions of Martin Scorsese’s, where charming domesticity runs headlong into the hardships of previous generations.

The shadow of Urich’s uncertain Persian-American identity gives the doc its depth, as she seeks to learn enough Farsi to effectively communicate with her grandmother, while simultaneously being pushed back by the older generations who experienced the repression of Iran firsthand. At its best, it captures a complex blend of wistfulness and pride that will resonate with many immigrant families while striking a specific tone of playful prickliness all its own.

Urich’s techniques to that end are a grab bag. There’s the cute archival home video shot by Mitra, for her family back in Iran, when Urich was a baby. There’s Behjat’s reminiscing, mostly in Farsi with subtitles, which sometimes cut to darkness and allow her words to burn into the screen.

When the women are all together and Urich’s camera is rolling, you get delightful and familiar candid conversations, sometimes around the logistics of shooting the documentary itself and sometimes just singing in the car…either of which can quickly turn into an argument. And isn’t that always the way it goes when visiting family? Reuniting and falling back into the same old patterns? You start bickering like you’d just left off the day before, even if it’s been months.

Documentaries, far more than fiction films , are shaped as they go along. Often, you see a premise morph mid-movie as a production shifts to accommodate a new obstacle or pursue a more interesting idea. Sometimes, that can make for vital, thrilling movies where you don’t knowyou’ll end up, and you’re grateful for the filmmaker for taking you along this wild ride.

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