“In the end, we recorded music that surpassed what I believed to be humanly possible,” says Oscar and Grammy-winning composer Ludwig Göransson.
, and the director knew he was the right man for the job.
“The film’s score grew very organically and very gradually from the smallest elements. I had no preconceptions about the music for the film,” says Nolan. “And in this case, all I had that I gave Ludwig was the idea of basing the score on the violin. There’s a tension to the sound in a way that I think fits the highly-strung intellect and emotion of Robert Oppenheimer very well.”“Chris is with me every step of the way,” adds Göransson.
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