REVIEW: Coi Leray's second album works — but only when she lets down her brash facade and opens up.
On her second album, she front-loads the proceedings with tweaks to the “Players” formula—the first voice you hear doesn’t belong to Leray but a pitched-down Daryl Hall, whose track with John Oates “Rich Girl” gets flipped into “Bitch Girl,” which puts other women out there on notice.
As the record nears its close, though, the proceedings get more compelling, with Leray dropping her façade and letting things breathe a bit. There’s another obvious interpolation—James Brown even gets feature billing on “Man’s World,” which spins his 1966 classic “It’s a Man’s Man’s Man’s World” into high-drama trap.
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