You can pretty much bet that whenever the Dardenne brothers show up with a new film in Cannes, it will walk away with some sort of prize. That has been the case since 1999 when their first competit…
You can pretty much bet that whenever the Dardenne brothers show up with a new film in Cannes, it will walk away with some sort of prize. That has been the case since 1999 when their first competition film,swooped in at the last minute and won the Palme d’Or and Best Actress. They won a second Palme d’Or in 2005 for Lorna’s Silence, No matter what the jury, the Dardennes continue to impress, yet none of their films has ever brought them an Oscar nomination.
The Belgian brothers are a good bet to be in the Cannes winners circle again this year with their latest, an irresistible and deeply affecting tale of two West African immigrant adolescents trying to pass themselves off as brother and sister in order to get working papers in Belgium’s tough immigration system.
Determined to keep this as authentic as possible the writer/directors cast two non-professionals in the title roles, and boy did it pay off. Pablo Schils as young, scrappy, loyal and loving Tori, and Joely Mbundu as the determined and heartbreaking Lokita deliver extraordinary performances on the level of any actor with a film in Cannes in this year. Plotwise we discover that in order to pass muster at the immigration office they have come up with a scheme to pass off Lokita as Tori’s sister.
Argentina Últimas Noticias, Argentina Titulares
Similar News:También puedes leer noticias similares a ésta que hemos recopilado de otras fuentes de noticias.
Cannes Review: Jean Dujardin In Cedric Jimenez’s ‘Novembre’Understandably, the terrorist attacks in Paris on the night of November 13, 2015 have been treated with great sensitivity by the French film industry, and the only other film in the Cannes Film Fes…
Leer más »
Brett Morgen’s David Bowie Doc ‘Moonage Daydream’: Film Review | Cannes 2022After examining the evolution and destruction of Kurt Cobain in ‘Montage of Heck’ and the history of The Rolling Stones in 'Crossfire Hurricane,' the filmmaker turns a kaleidoscopic lens on Bowie in this archival rockumentary.
Leer más »
Cannes Review: Kristoffer Borgli’s ‘Sick Of Myself’Timing can be cruel. Norwegian director Kristoffer Borgli’s second feature, Sick Of Myself, has the misfortune to arrive in the Cannes Film Festival’s Un Certain Regard section in the slipstream of…
Leer más »
‘Corsage’: Film Review | Cannes 2022Vicky Krieps stars as Sissi, also known as the Empress Elisabeth of Austria, the latest historic royal woman to get biographical treatment in Austrian writer-director Marie Kreutzer's latest feature.
Leer más »
Cannes Review: Owen Kline’s ‘Funny Pages’Talk about multiverses. In a parallel cosmos that is apparently just around the corner from you right now, a bunch of boys — and grown men — are living a life so different from yours th…
Leer más »
‘Forever Young’ (‘Les Amandiers’): Film Review | Cannes 2022Valeria Bruni Tedeschi’s fifth feature follows a group of students admitted into Patrice Chéreau's Théâtre des Amandiers in Nanterre in the 1980s.
Leer más »