Filmmaker and academic Nina Menkes draws on scores of films through history to present a cinematic essay on film language and gender.
is an expansive documentary essay on the gendered nature of film language, presented, written, directed and produced by filmmaker and CalArts professor
. Using 175 snippets of footage from scores of films, as well as interviews with filmmakers such as Joey Soloway, Julie Dash, Catherine Hardwicke and Eliza Hittman, among others, it represents a slickly assembled bricolage of imagery and rhetoric, neatly edited by Cecily Rhett, that seeks to illustrate Menkes’ “understandings about shot design and the established cinematic canon,” to quote her director’s statement.
Clearly made with the best of didactic intentions, and especially affecting when paying tribute to “original gangster” film theorist Laura Mulvey, interviewed all too briefly here, the film is founded on a simplistic, poorly argued thesis that is way out to sea, many waves of feminist film theory behind from what’s going on these days in academic circles and feminist discourse.
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