Amid the spectacle, it might be easy to miss some of the deep cultural reference points embedded within the show that speak to the history of art, fashion, and place.
In this part of the show, the two Londoners—embodying moments separated by four centuries—speak to the burdens of being a public person in the world. In the Elizabethan era, it was a role fulfilled by monarchs; in our own, it’s celebrities.
Today’s culminating set piece paid tribute to the iconic West End production, a large part of which is set in Covent Garden, almost the precise location for Vogue World: London. There was the obvious tribute in the dress worn by Lila Moss, a direct reference to Cecil Beaton’s costumes for Audrey Hepburn in the 1964 film adaptation—but the reference was also, more broadly, about the convergence of fashion and theater. “Watching the Ascot scene infeels like watching a catwalk show,” says Burns.
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