Hildur Guðnadóttir talks A Haunting In Venice.
Summary A Haunting In Venice is based on Agatha Christie's novel Hallowe'en Party. Hercule Poirot has retired from detective work and is living as a recluse in Venice, Italy. However, old associate Ariadne Oliver pulls him back into the world of mysteries when she invites him to a séance with a medium who claims the ability to speak to the dead. When one of the guests is killed, Poirot will be on the case to solve yet another mystery.
Hildur Guðnadóttir: Well, I think my biggest inspiration was to dive into the music history of this time and to look at the questions that composers were asking themselves around the pre and the post war era. The abandonment of melody and old structures that they were experiencing as the world was rebuilt after the wars.
Hildur Guðnadóttir: Musically, there were so many things that were happening at this time in music history that are just naturally so connected to the classical way of scoring over Filomeno like the jumpscares. These sounds are so inherent in a lot of these extended technique explorations that composers were doing at this time anyway. So it was really fun to just kind of really work in that classical way of both time and the genre.
Hildur Guðnadóttir: I think there's a lot of parallels between the mystery... horror films I think often come with a sense of mystery or something other worldly just in the nature of the genre, I think as well. I think that was something that was so beautiful about this film was the questions of the presence of the otherworldly, the supernatural aspect and the natural.
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