The new miniseries attempts to faithfully re-create the reading experience, but as with any adaptation, certain details don’t make the cut.
suffer a bit from some common translation pitfalls. Daisy Jones and Billy Dunne , the co-leads, don’t meet until halfway through the third episode, and it feels as if the story is waiting until that point to really take off — unlike the book, in which the long wait allows for a thorough exploration of the band’s various backstories.
Where the series falls short regarding Billy is in cutting down on one of the novel’s richest themes: the war between singular genius and artistic collaboration. There are some fun songwriting scenes, to be sure, but I craved more, and I’m not sure I ever fully believed Billy was as talented as he was supposed to be.
follows the same general path as in the book with a few detours and added complications, including a trip to the beach, where Karen starts to realize how she feels about her closest bandmate. Will Harrison and Suki Waterhouse sell it well, especially the latter.In both the book and the series , Warren is the chill, funny drummer who just wants to hang out and have fun, unencumbered by the tortured drama and constant overthinking of his fellow bandmates.
years after leaving the music industry. That makes him a pretty easy, logical choice to remove from the narrative. But it’s also one of the most amusing changes because it means there are only five members in the Six . The series gets around this during a diner conversation in which the band agrees to call themselves “the Six” because “the Five” has already been overused by the likes of Dave Clark Five and the Jackson 5. Like much of the series, it works if you squint hard enough.
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